Saturday, November 2, 2024

Paranormal Series - Episode 1 - Brahmarakshasa

BRAHMARAKSHASA



Brahmarakshasa Image courtesy: Tirumala Tirupati Yatra
  
Shukracharya Image Courtesy Hindu Online

Brahmarakshasa is not a subject normally discussed at any home but paranormals are topics of high interest to the world of social media. But I was forced to think about this recently.  The day after Diwali, I and my family were sitting around the dining table. Dad was sharing his memories about his childhood. He spoke extensively about the deaths of his siblings in childhood. Dad is the second child. Three of his siblings died during their early childhood due to illness. Dad said that in those days, such negative incidents sparked what would be loosely translated as "divine fact-finding missions" or "prashnam veykal" in malayalam. The family believed that there must be some reason or dosham which has triggered the loss of these children.

Dad often speaks about his "Veliachan" (Maternal Grandfather) very highly. Veliachan has made a strong impression in my Dad's mind and heart. Veliachan had no such blind beliefs but gave in to pressure from his compatriats and he agreed to have a consultation with an astrologer. The arrangements were made and an astrologer was brought. As the family lore goes, the astrologer starts the process in the evening. The astrologer asks for a lamp to be lit, throws some kavadi (shells), chants Sanskrit slokas and then finally comes up with some prophecies.

The lamp was lit and there sounded 3 loud blasts resembling firecrackers(vedi) and he immediately prophesied that there should have been 3 deaths in the family. Naturally, Veliachan disagreed immediately as he suspected that the person who brought him there could have provided the background information. Also, this astrologer's knowledge of Sanskrit was quite weak as he was making mistakes in his interpretations. He finally inferred that there was an impact of some Brahmarakshasa due to which these children lost their lives at an early age and advised the family to conduct a special pooja and do an offering of paal payasam (sweet-porridge made of milk, rice and sugar) in any Shri Krishna temple. 

Listening to this, I fully agreed with Veliachan that this was a hoax but my reasons differed with his. In the beginning, I was under the belief that if such a ritual should have been conducted, then it should have been done in a temple aligned to Mother Goddess or Lord Shiva as both the Divine Beings have direct control over such paranormal entities. But later I was inclined to correct myself as this is a Brahmarakshasa. The astrologer's inference of 3 deaths based on the 3 firecrackers felt questionable to me as temples in Kerala have strict adherence to time and discipline. This person should have come at a time when there was some ongoing special pooja in the temple and naturally firecrackers would be burst. Even though I found it hard to believe, I still could let go of this argument but how did he come to the conclusion of a Brahmarakshasa? There must be some evidence based on the being's behaviour to come to that conclusion.

So who is a Brahmarakshasa? We usually do not hear the words, "Brahma" and "Rakshasa" in the same word in today's world. As per my research there are many theories about the origin of a Brahmarakshasa. One such theory is that a Brahmin who is learned and strictly follows austerities; yet has committed sins in his life will fall into a "pret" (ghost) yoni due to his severe sins. But a Brahmarakshasa cannot be categorized as just an ordinary "pret atma". He gets the rank of a Rakshas because, this is a Brahmin who has done his studies in Vedas, is very learned and therefore a very strong being at a soul level. Unlike ordinary pretatma, a Brahmarakshasa is very powerful and holds strong abilities. Anyone born as a Brahmin but who does not follow or live as a Brahmin (like no janau ritual and does not follow the traditions of Brahmins) is considered to be just an ordinary person. Even if he has sinned, he cannot become a Brahmarakshasa on his death. 

Another belief is that any Brahmin who had an untimely death also could become a Brahmarakshasa. In this belief, an unmarried Brahmin who follows his austerities but has an untimely death is believed to become a very powerful Brahmarakshasa. This is because he has lot of goals and desires which are unfulfilled due to untimely death. Another theory is that a Brahmin is expected to impart knowledge through a shishya. Failing to do so will turn him into a Brahmarakshasa on his death. These are common beliefs in this Yuga. 

There is yet another literature on these beings. The literature on Brahmarakshas and the wisdom of Brahmarakshasa is infused into the Kaulantak Peeth tradition whose Mahaguru is Shukracharya himself. According to the Siddha Dharma, the Brahmarakshas is the first rakshasa created by Lord Brahma with pure tamas characteristics. The rakshasa learnt a lot of tamasic vidyas from Lord Shiva himself through "Guru/Shishya" sampradaay. Shukracharya learn't this from Lord Shiva and imbibed it to Kali Rakshasa. In this Siddha Dharma, the Brahmarakshas sadhana is done to attain sookshtar body. The iconography of the Brahmarakshasa mentioned as per Siddha Dharma is completely different from the popular believes in the examples mentioned above. A lot of literature on Brahmaraksha is available in "Brahma Raksha Kalpa" authored by the first Brahmarakshasa.

Brahmarakshasa - Abode and traits: Popular belief says that Brahmarakshasa identifies a Peepul tree and chooses to live there until such time they get liberated from such an existence. In Hinduism, the Peepul tree is believed to be the abode of Lord Brahma. So how does one identify if a Peepul tree is occupied by a Brahmarakshasa or by Lord Brahma?  When a Peepul tree rots from the bottom but is fresh on the top such a tree is supposed to be the abode of Brahmarakshasa. The moment the Brahmarakshasa leaves the tree, the Peepul tree will immediately catch fire or die. This reference is seen in the life history of Sant Tulsidas who inadvertently gives moksha to a Brahmarakshasa. In return, the being tells Tulsidas that only Lord Hanuman can lead him to Lord Ram. The Brahmarakshasa also informs Tulsidas that Lord Hanuman attends his Ram Katha sessions every day. The being goes so far as to help Tulsidas to identify Lord Hanuman from his audience.  

The Brahmarakshasa are reputed to be more than 7 to 8 feet tall, powerful beings with canine teeth and in some references sport the Brahmin's choti (traditional tuft of hair at the back of the head as per the Brahmin tradition). It is said that these beings are very learned and can recite Sanskrit slokas and mantras in much more purity than living human beings. They will even accompany you in your chants of the mantras, if done in their presence. They retain their original knowledge and acquire more knowledge with immense powers and special abilities. These powerful beings prefer to reside silently on Peepul trees and are never ever visible to anyone. When humans disturb their abode or malign their surroundings, they get irritated and start to trouble the humans. They are hugely powerful beings with various abilities and they can either destroy the peace or lives of humans, sometimes even consuming them or they can even grant lots of success and wealth if they are pleased. It is reputed that if you get on the wrong side of a Brahmarakshasa, then no human has sufficient powers to save you. Only the Gods can protect you from their attack. It is said a Brahmarakshasa cannot be easily killed, it can be liberated only by an equally powerful and learned Brahmana (case in point, Sant Tulsidas). There have been references to true incidents related to the presence of Brahmarakshasa at least in 2 incidents that I have heard (one from Madhya Pradesh and another from Bihar) where these beings have been disturbed and have therefore troubled the surrounding humans. There is still a lot of information that is yet to be known about these dangerous beings. All my knowledge come from people who research on this topic or the tantra saadhaks.

So why this lengthy write-up about the Brahmarakshasa? Let me come back to my father's tale in the morning. Did those children really lose their lives due to the attack of a Brahmarakshasa? No, I do not personally believe so. None of my Dad's explanations point towards any evidence of the presence of a Brahmarakshasa around the area. The children of India in those times were prone to lot of diseases thereby, many of them died an early death due to lack of knowledge and/or poor medical facilities. While I personally believe this to be the case in these children, Dad also mentioned other interesting facts. Though Veliachan did not believe in this, the family did complete the pooja and the offering in a far-away Shri Krishna temple. Dad also mentioned that in those days, there was a custom of installing "parakuttichaathan" in any new place that the people buy. Though no one in their right mind will willingly invoke and install a Brahmarakshasa around their living abodes, a parakuttichaathan is a different case. But that is a story for another day.


Saturday, October 26, 2024

My First Novel - The Killer - Tentative Cover


Currently working on my full-length novel "The Killer". While working on it, I thought of a possible cover for the book. Loved this one. 
 

Book 3 - The Power of Being Yourself


 Here is another work that has come out. The book is an anthology of poems, short writeups and stories from various contributors. I entered to pen my thoughts on the 2015 deluge. This gave me the pleasure of seeing my thoughts out in print. This is the 3rd work in print format. This book has a very catchy cover. Nice. 


Monday, January 29, 2024

Poetry, Me and the World

 Finally, I gathered enough courage to participate in a competition held by a group called "S7 Poetry". They regularly hold competitions for poetry in English and Hindi languages. I sent in one of my poems "Conversations with Nature" and was pleasantly surprised to see it reach the top 100 poems in its 15th Edition. This is even more special for the poets as S7 is reputed to be a leading platform in this field according to Google Analytics. 



My other poem "My Wife and My Mistress" got published as part of an anthology "Emotional Canvas" by Hatchegg Publications. I got the author's copies along with a certificate and a medal today.



Nice feeling. :-)

Wednesday, May 3, 2023

Am Back

 It has been years since I visited this site. Life just happened. But decided to write something as often as possible. 


Friday, August 3, 2018

Village Life - My Neighbor Totoro


Watched "My Neighbor Totoro" the other day. 

The story starts with a Father & his 2 daughters who move to a Japanese country side and set up home there. The mother is hospitalized and the family moved to countryside so the environment will help her recovery. Their home is situated at the verge of the forest on one side & huge farms belonging to their neighbors on the other end. The whole movie spans the life of the two children for the span of 2 weeks when their mother is at home and ends with a positive note that their mother is expected back the following weekend. 



The elder daughter - Saskui, seems to be about 9 or 10 years old. She takes care of the house with her father's help. She cooks food, packs lunch & runs to school. She is also a responsible girl who takes care of her little sister but in reality she herself is a child with all the fears and insecurities of a child. A child who has to grow up quickly & be brave for her family. This is beautifully displayed in a section where there is a call from the hospital about her mother not being well & Saskui is expected to inform her father. Saskui seems tough and brave at that time. But later, she tells the grandmother (she over-sees these kids in the father's absence) that they keep saying the same thing every week and then she is dull & low in spirit for the entire day. Saskui also gets frustrated that her kid sister - Mei is not being reasonable and actually yells at her to grow up fast. 

The younger child - Mei is about 3 or 4 years old, who is happy go lucky & does not seem to go to school yet. She keeps running garden & encounters magical creatures who her father says are forest spirits. Their father teaches the children to respect the forest & its spirits and in turn they will take care of them in need. The children believe their father & thus happen to encounter Totoro, the forest spirit one day. Totoro is a large bear like creature who seems to watch over the kids & help them in need. 

The father is depicted as someone who faces lots of challenges in life but keeps a happy face & brave spirit. He is shown as a good man with very healthy approach to life & surroundings. He holds the fort in his wife's absence, guides his children towards the life path in life. But in reality he has a tough life where he travels long distance to teach at the university,  has to balance a home as a single parent due to a sick wife & seen to be someone with lot of work. 

What greatly touched me is the simple and healthy life style of the country side. It is devoid of things that we take for granted like a phone, running water. I felt that it would have been great if the farms were provided with these facilities. Only one home has an old rotary phone. people mostly travel by foot and few of them travel by carts or wagons. Farms are beautiful, food is very healthy & farm grown. There are huge trees surrounding this area with fresh streams & a river with lots of fish. Good simple minded village folks. I loved the entire atmosphere & wanted to stay in such an environment at least for sometime. 

This movie is produced by Japan's famous animation studio names Studio Ghibli. Great work by Director Hayao Miyazaki. There are other works by Miyazaki which I will be reviewing here. Totoro is simple movie but has managed to capture my heart through the story board & great art work by the animators. 






Saturday, April 21, 2018


I am back to jot down few notes again. One, I am saving my sketches into my scribble pad site.  

I also need to continue to write.